Monthly Archives: October 2013

Faith

Jennifer Haigh’s 2011 novel “Faith” turned out to be a good pick for our book club this month as it concerns various issues that made for an interesting discussion: notably those having to do with religion, morality, loyalty, family and the secrecy and silence that often dwell within. It’s about an Irish-American family and what happens when a sibling is accused of a horrendous crime.

The story’s narrator, Sheila McGann, is trying to get to the truth surrounding accusations against her brother (Art), a Catholic priest, who’s been charged with molesting a child. In doing so, she uncovers the history of her family and the roles it played in her brother’s ultimate undoing.

The story takes place outside Boston in 2002 at the height of the priest-pedophile scandals that were rocking the country then. It’s not a topic I ever thought I’d seek to read a novel about, but it’s not a story so wrapped up in Catholicism or the priesthood that those with different or more secular views wouldn’t enjoy it. It happens to be about an Irish-Catholic family but also could be true for so many other kinds of families who keep quiet about unseemly or unredeemable things among themselves.

The story flows along speedily and is suspenseful. You wonder what the sister will find out about her brother, Art, and whether he is guilty, and if not, why someone would make such an accusation. Sheila, the narrator, seems convinced Art’s not guilty and sets out to redeem him until she finds out something about his past that casts some doubt in her mind. Her other brother, Mike, thinks Art is guilty and needs evidence to prove otherwise. He can’t take Art’s innocence on “faith” but goes to dubious lengths to get to the truth. The parents, too, are an interesting mix (the mother a diehard Catholic, the stepfather a non-believer) that lend complexity to the plot — not to mention Art’s accuser who seems to have a lot of issues herself.

I hadn’t read author Jennifer Haigh before, but found her a compelling and natural storyteller. It surprised me taking to such a book about the priesthood scandal. But it’s a story with characters who aren’t just black and white, or good and bad, but are morally more nuanced facing a very difficult situation. The narrator is self-effacing, and it’s interesting how she comes to grips with uncovering what she finds out. I think the narrator’s voice makes it quite a worthwhile journey into discovery.

I’d read Haigh again and have heard her latest book, a short-story collection called “News From Heaven,” is good as well. Let me know if you have read “Faith” and what you thought of it, or other books from this author. Continue reading

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October Releases

The Sunday Salon.com
Usually I would do my October preview and picks at the beginning of the month, but I was away traveling and then got sick so here it is quite late.

For October novel releases (see list at right), there’s a slew of veteran authors with new books out. Of these, I, too, am most eager to get my hands on Donna Tartt’s new novel, “The Goldfinch,” which comes out eleven years after her last book, “The Little Friend.” I recently reread her first novel “The Secret History,” which is still wonderful after all these years. If her latest is half as good as that, it’s no wonder everyone is after “The Goldfinch.”

I’m also looking forward to Dave Eggers’s new novel “The Circle,” which reportedly is about an employee at an internet company, in a world where there’s a constant hunger for communications and a loss of privacy. Some are comparing it to George Orwell’s “1984” or Aldous Huxley’s “Brave New World” for the tech world. So I think it’ll raise some interesting questions.

For my third October book pick, I’m not sure whether to choose Jayne Anne Phillips’s haunting novel “Quiet Dell” about serial murderer Harry Powers, a con man who preyed on widows, or Dan Simmons’s long chunkster novel “The Abominable” about climbers making a recovery mission on Everest, or perhaps “The Signature of All Things,” Elizabeth Gilbert’s hotly anticipated novel about a female botanist in the 1800s. There’s also Andre Dubus III’s new collection of short stories filled with depressing characters in “Dirty Love” — for those who liked the author’s tragic tale of “House of Sand and Fog.”

Lastly kudos to Eleanor Catton, this month’s author of “The Luminaries,” an 832-page murder mystery set in New Zealand during a 19th-century gold rush, which won the Man Booker Prize this past week. Reviews describing its convolutedness have me a bit intimidated to pick it up so far, but the author just so happens to be at our city’s annual book festival (WordFest) this weekend. Wow talk about great timing!

As for movies in October (see list at left), I pick both “Gravity” and “Captain Phillips” to see. I liked them equally, and found them both high-octane action flicks. I’m also curious about this month’s “12 Years a Slave” and would like to go back and read the memoir by Solomon Northup perhaps first before seeing the movie if I can.

Lastly in albums for October (see list at bottom right), I’ve been playing and liking The Avett Brothers’ “Magpie and the Dandelion” which is the folk group’s eighth studio album and the third of its albums produced by Rick Rubin. I’ve also been listening to “Let’s Be Still” the second album by the Seattle-based folk group The Head and the Heart, which sounds pretty good, too.

How about you, which book, movie, or album releases out this month are you excited about? Continue reading

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Serena

The novel “Serena” received such critical acclaim when it came out in 2008 that I had always wanted to read it. Authors such as Lee Smith called it a “flat-out masterpiece – mythic, terrifying and beautiful.” Anna Quindlen said that it’s “a new classic in the category of love gone terribly wrong.” And Pat Conroy wrote that “Serena” catapults Ron Rash “to the front ranks of the best American novelists.”

Those are some pretty strong statements, which caught my attention, including the fact that it’s being made into a movie starring Jennifer Lawrence and Bradley Cooper among others. (The movie’s U.S. release date remains to be determined apparently, but if you’re overseas in Russia it looks to be coming out in time for Halloween — or so says IMDB.com.)

So I finally pounced on the novel “Serena,” but it’s not really meant as a fast read. I had to absorb its Appalachian story and atmosphere slowly like fine wine. It’s set in 1929 at the dawn of the Great Depression, about newlyweds George and Serena Pemberton who are determined to make a timber empire in the North Carolina mountains and wilderness. Their greed and lust for power will lead them to stop at nothing to get their way, including killing or vanquishing all those who fall out of their favor, and standing in the way of governmental plans for a national park. Together they make a formidable duo, inseparable in word and deed, resolute in their intense marriage and plans for an empire.

But the pair starts to unravel when Serena learns she will never be able to bear a child and begins to suspect that George is trying to protect an illegitimate child he fathered before he met her. The ending is a reckoning that’s both hard to believe and not hard to believe — with such nefarious characters. Still, you can’t turn away.

Ron Rash’s writing is exquisitely vivid and visual in its depiction of the mountainous landscape, the timber camp, and the characters that inhabit it. Serena is an anti-hero you wouldn’t want to cross paths with. It’s amazing that Jennifer Lawrence will go from playing Katniss in “The Hunger Games” to the cruelness of Serena in this. But both become very powerful.

I can see why the novel garnered such acclaim. Rash’s writing reminded me a bit of Charles Frazier’s — (“Cold Mountain”) because of its Appalachian landscape — mixed perhaps with a dose of Cormac McCarthy’s because of its darkness and impending violence. I would read Rash again, perhaps I will pick up his more recent novel “The Cove.” He’s definitely an immense talent, an expert on all things Appalachia, who I’ll plan to keep tabs on in the future.

Whenever the movie “Serena” comes out, you’ll need to check the wooded landscape, because according to IMDB a portion of it was filmed in the Czech Republic; so much for Appalachia! Also look for its stars, Jennifer Lawrence and Bradley Cooper, to team up once again (for their third time), in “American Hustle” due out around Christmas. Continue reading

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Gravity

The space-action movie “Gravity” is a visual wonder that puts one into orbit from the very start, capturing two astronauts left adrift after debris crashes into them during a spacewalk. It’s a harrowing situation, and from the amazing special effects what unfolds feels immediate and very up close. George Clooney and Sandra Bullock play the astronauts who work together to try and survive untethered in a place 372 miles above Earth where there’s no air pressure, no oxygen and way beyond cold.

And wow, does Sandra’s character go through Hell and back. She’s got to fight for everything! At the start she’s a bit of weakling but towards the end she’s changed and is emboldened. I got sort of dizzy just watching her go end over end through space. She didn’t even puke into her helmet. And the scrapes and the bruises from being thrown into steel objects must have been a nightmare! But George helps. Thank goodness his character is a very seasoned astronaut. And Clooney is Clooney.

I liked “Gravity.” I could feel space at my fingertips, awe-inspiring and beautiful, albeit in the movie it’s often from a pretty hair-raising viewpoint. It’s certainly a well-done adrenaline-action-packed visual space experience but I’m not sure I took away from it much more than that. As for depth or character development that might leave a more lasting impact, well there just isn’t time!

For more commentary on “Gravity,” check out former astronaut Mark Kelly’s generally favorable review of the movie in The Washington Post. Continue reading

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