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I finished my year in reading with Cristina Alger’s financial thriller “The Darlings,” which is a quick, entertaining novel about the reverberations surrounding what turns out to be a Ponzi scheme at a large hedge fund in New York.

It begins as the manager of the fund has apparently jumped off the Tappan Zee Bridge right as the SEC has started to close in on him, leaving his business associates reeling as the far-reaching sham is ultimately revealed. The fund’s founder, billionaire investor, Carter Darling pleads ignorance of the scheme and tries to keep his wife, two daughters and sons-in-law together in its wake. But chaos and questions abound, notably, will his son-in-law, Paul, the firm’s general counsel, stand by the family patriarch or cut a deal to save his own skin, and who in the end who will be left standing.

“The Darlings” is a story of a rich New York family’s undoing, where bonds and loyalties are put through the ringer. It definitely reminded me of the Bernie Madoff scandal and family, and vividly sets the scene of a New York in crisis, around the time of the financial crash in 2008 when Lehman Brothers and Bear Stearns went kaput and thousands lost their jobs. The characters are all seemingly both good and bad and the lines get blurred between who’s guilty, responsible or a victim, which makes for a good thriller-type book. I found “The Darlings” slick and well-done but ultimately I was glad to leave behind the unsettling, Madoff-like moneyed atmosphere it conjures.

Meanwhile, I was able to see the musical film “Les Miserables” this week with eight of my relatives, which was a bit fun. Most of them had seen it before as the Broadway musical or as the 1998 film starring Liam Neeson, but this was my first time seeing it. While I liked some of the songs, music and performances in it, I found that as a musical it wasn’t exactly my cup of tea; I’m not a true fan or follower of musicals generally. Yet I appreciated “Les Miz’”: its history, the book, its period of revolutionary France and its story of redemption. It was epic in scale no doubt and I was curious to see it. But I didn’t feel it was exactly for me, and some parts seemed to drag, while others were more interesting. Perhaps I just need to dive into the soundtrack. What did you think of it? Continue reading →