Author Archives: Susan

All Is Lost and Blue Jasmine

I know, I know, I know: it’s “Hunger Games: Catching Fire” week but I saw two notable films recently that are still on my mind. First, the Robert Redford film “All Is Lost” about a 70-ish year-old man sailing solo in the Indian Ocean whose boat collides with a shipping container. He’s left struggling to survive for eight days adrift at sea, with seemingly no one else around for hundreds of miles.

It’s a different kind of film because it’s so quiet and just one person is in it, with no dialogue. It has a documentary feel to it as you watch the sailor (played by Redford) try to repair the damaged boat and overcome the elements. He moves methodically about his work and remains calm in the face of a very scary situation. At points you want him to hurry up (!) as the water swells in the boat, but he moves slowly as an older person and must be a seasoned sailor because he doesn’t panic like I would be doing.

You might wonder after his boat radio goes out why he doesn’t have a GPS device to locate his position or the internet or an emergency beacon to alert others to rescue him, but alas no. He’s way out there, alone with none of these things, which perhaps might speak to what kind of person he is or what he’s doing out there in first place. You might also second-guess a couple other decisions of him as a sailor, such as leaving the boat to jump onto the drifting container, or going on deck during a tropical cyclone, or not wearing a life jacket at certain times, but despite such recklessness, you’ll be taken in, too, by his utter resourcefulness and courage as he’s adrift at sea. He’s no quitter.

Redford is terrific in the role as a man facing his own mortality. Perhaps not since 1972’s “Jeremiah Johnson” has he shone as a survivor like this. Apparently the 77-year-old Redford insisted on doing all his own stunts in the film, which makes it feel quite real. “All Is Lost” is a quiet, yet compelling meditation at sea.

“Blue Jasmine,” on the other hand, is a film completely different from that but also includes a strong performance of the lead character played this time by Cate Blanchett. I do hope Ms. Blanchett receives some award nominations because she is superb as the New York socialite Jasmine who comes to stay with her sister in San Francisco after her life falls apart.

The story of what goes wrong in New York for Jasmine and her very rich financier husband (played by Alec Baldwin) unfolds in flashbacks while Jasmine is trying to get back on her feet in California.

In San Fran, the dynamic between the sisters is awkward at best, whereas Jasmine’s been wealthy, and is a bit haughty, her sister is divorced with two boys, doesn’t have much money, and is dating a low-life mechanic. Jasmine influences her sister to see someone better, while she eventually meets a well-to-do man who plans to run for Congress. But eventually all begins to unravel once the veneer Jasmine’s created gets pulled away.

It’s typical Woody Allen: a film full of relationships, deceits and their sticky consequences. It’s a bit depressing, watching the impending outcome. I didn’t think of a modern-day version of Tennessee Williams’s “A Streetcar Named Desire” when I was watching it, but have read since that some critics have compared it to that. And I guess the plot of “Blue Jasmine” is quite like that: A troubled woman comes to stay with her sister and affects her sister’s relationship with her guy and things end badly for her. It differs a bit in this modern telling with more characters etc., but there are some similarities.

The best part of “Blue Jasmine” is the cast and acting. Blanchett, of course is excellent as Jasmine, but so is Sally Hawkins as her sister who plays off Jasmine so well. Then there’s Andrew Dice Clay (remember the crude, stand-up comedian?) who is surprisingly good as the sister’s ex-husband, as well as Bobby Cannavale who plays the sister’s mechanic boyfriend, Chili. I was delighted, too, to see comedian C.K. Louis play the guy the sister has a fling with. He’s terrific! How can anyone not like C.K., even though his role here is pretty slimy.

Despite its dark overtones, “Blue Jasmine” makes for an entertaining romp, thanks to its cast that gives the script just the right touch. Continue reading

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Catching Fire

I just finished Suzanne Collins’s young adult, post-apocalyptic novel “Catching Fire,” the second in the trilogy of “The Hunger Games,” and now I’m officially ready for the movie’s release on Nov. 22. Maybe I should do calisthenics to limber up for it or at least to battle the box office lines. You might recall the first movie raked in $152.5 million on its opening weekend in 2012 (I saw it then), and the second movie should surely smoke at the box office as well.

But what about the second novel? I must admit I thought “Catching Fire” matched up equally well to “The Hunger Games.” Of course there’s a lot of lead-up to what eventually takes place in the novel. You have to wait patiently at points to get to the action, but it all comes down in due time. And of course, at the book’s beginning, the author goes to lengths to remind readers of where things left off at the end of the first one. So there’s a bit of positioning with Book 2 but still it’s a compelling read.

You might recall Peeta and Katniss were co-winners of the very griesly 74th Hunger Games; you would have thought this would have given them a break in “Catching Fire,” but unfortunately not. While on the Hunger Games victory tour, they soon learn they’re targets of President Snow’s Capitol that views their victory as defiant and a symbol of rebellion across the twelve districts.

Snow is determined to make them pay, so he changes the rules announcing that the winners of the past Hunger Games have to face off against each other at the next Games, which is a terrible blow to Katniss and Peeta.

Without giving anything away, the final 100 pages of the book finds Katniss and Peeta back in the arena struggling to be the last ones standing. They have allies and enemies and each has pledged to save the other’s life, but odds are both of them can’t survive this time. So what on Earth is going to happen? You’ll have to check it out yourself if you’re one of the few alive who haven’t already.

Compared to the first book, Book 2 plays out more behind the scenes and involves underlying resistance against the autocratic Capitol’s control, whereas Book 1 was more focused on surviving the Hunger Games competition, which plays out longer and more brutally than in Book 2. Yet “Catching Fire” is just about as suspenseful and it ends with quite a humdinger. It’ll be interesting to see if the movie does it justice; the cast looks to be fantastic and I plan to see it opening weekend. When all is said and done, I’m sure there’ll be a dark shadow cast over Panem, which you won’t want to miss. Continue reading

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November Releases

The Sunday Salon.com
Who can believe we’re already into November. Pretty soon Christmas will be here and that’ll be crazy. I think fiction offerings this month (see list at right) are a bit down from the huge number of releases in September and October. But still there’s a few big-name literary authors with novels out, notably Amy Tan, Robert Stone, and Russell Banks among others. There’s also some popular storytellers with books due out like those from Fannie Flagg, Adriana Trigiani, Sebastian Faulks, Anita Shreve and Mitch Albom.

But after checking out their books a bit, none of them really grabbed me. So I’m selecting a few dark horses this month that hopefully will be diamonds in the rough. First off is the second short-story collection from Laura van den Berg called “The Isle of Youth,” which the back cover says explores the lives of women mired in secrecy and deception. Hmm. It also carries ringing endorsements from authors Ann Pachett, Dave Eggers, and Karen Russell, which isn’t too shabby. I’m game for short stories these days so this one looks enticing.

Next up, if you like historical fiction, you might want to check out “Hild” by author Nicola Griffith. Set in seventh-century Britain, it’s about the rise of the most powerful woman apparently in the Middle Ages and is based on what little historical record there is of her. The novel sounds captivating, and it intrigues me that it’s about the Middle Ages. Who doesn’t want to read more about this mysterious time period!

Also there’s a few strong debut novels out this month, notably “Red Sky in Morning,” a tale of vengeance set in the nineteenth century that traces the path of the main characters from Ireland to rural Pennsylvania; “Where the Moon Isn’t,” an affecting and insightful account into mental illness and modern health care; and “Buying In” a novel about a small-town girl’s floundering in the high-stakes world of Wall Street. All of the topics are so different, yet each seems quite alluring. You might also like “Fractures” by veteran author Lamar Herrin, which is a sprawling family drama about a patriarch who must decide whether to lease his family’s land to gas companies for hydro-fracking.

As for movies in November (see list at left), three books, which I’ve read, are making their way to the big screen!, notably “Ender’s Game,” “The Book Thief,” and “The Hunger Games: Catching Fire.” Of course, I want to see all of them and compare them to the novels. But I’m especially geared up for “Catching Fire,” which should be huge! I can’t wait for the second in the trilogy. So if you’re feeling the same, get thee to a theater!

Lastly in albums for November (see list at bottom right), the biggest release is undoubtedly Lady Gaga’s “Artpop,” which likely will be loud and pop-ish and perfect for her fans. I admit to liking her old “Poker Face” days, but wouldn’t include myself as one of her minions. On the opposite end of the spectrum, I’ll pick Blue Rodeo’s new album “In Our Nature” because country rock is cool and I like this old Canadian band, which I plan to see in concert in January.

How about you, which book, movie, or album releases out this month are you excited about? Continue reading

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Faith

Jennifer Haigh’s 2011 novel “Faith” turned out to be a good pick for our book club this month as it concerns various issues that made for an interesting discussion: notably those having to do with religion, morality, loyalty, family and the secrecy and silence that often dwell within. It’s about an Irish-American family and what happens when a sibling is accused of a horrendous crime.

The story’s narrator, Sheila McGann, is trying to get to the truth surrounding accusations against her brother (Art), a Catholic priest, who’s been charged with molesting a child. In doing so, she uncovers the history of her family and the roles it played in her brother’s ultimate undoing.

The story takes place outside Boston in 2002 at the height of the priest-pedophile scandals that were rocking the country then. It’s not a topic I ever thought I’d seek to read a novel about, but it’s not a story so wrapped up in Catholicism or the priesthood that those with different or more secular views wouldn’t enjoy it. It happens to be about an Irish-Catholic family but also could be true for so many other kinds of families who keep quiet about unseemly or unredeemable things among themselves.

The story flows along speedily and is suspenseful. You wonder what the sister will find out about her brother, Art, and whether he is guilty, and if not, why someone would make such an accusation. Sheila, the narrator, seems convinced Art’s not guilty and sets out to redeem him until she finds out something about his past that casts some doubt in her mind. Her other brother, Mike, thinks Art is guilty and needs evidence to prove otherwise. He can’t take Art’s innocence on “faith” but goes to dubious lengths to get to the truth. The parents, too, are an interesting mix (the mother a diehard Catholic, the stepfather a non-believer) that lend complexity to the plot — not to mention Art’s accuser who seems to have a lot of issues herself.

I hadn’t read author Jennifer Haigh before, but found her a compelling and natural storyteller. It surprised me taking to such a book about the priesthood scandal. But it’s a story with characters who aren’t just black and white, or good and bad, but are morally more nuanced facing a very difficult situation. The narrator is self-effacing, and it’s interesting how she comes to grips with uncovering what she finds out. I think the narrator’s voice makes it quite a worthwhile journey into discovery.

I’d read Haigh again and have heard her latest book, a short-story collection called “News From Heaven,” is good as well. Let me know if you have read “Faith” and what you thought of it, or other books from this author. Continue reading

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October Releases

The Sunday Salon.com
Usually I would do my October preview and picks at the beginning of the month, but I was away traveling and then got sick so here it is quite late.

For October novel releases (see list at right), there’s a slew of veteran authors with new books out. Of these, I, too, am most eager to get my hands on Donna Tartt’s new novel, “The Goldfinch,” which comes out eleven years after her last book, “The Little Friend.” I recently reread her first novel “The Secret History,” which is still wonderful after all these years. If her latest is half as good as that, it’s no wonder everyone is after “The Goldfinch.”

I’m also looking forward to Dave Eggers’s new novel “The Circle,” which reportedly is about an employee at an internet company, in a world where there’s a constant hunger for communications and a loss of privacy. Some are comparing it to George Orwell’s “1984” or Aldous Huxley’s “Brave New World” for the tech world. So I think it’ll raise some interesting questions.

For my third October book pick, I’m not sure whether to choose Jayne Anne Phillips’s haunting novel “Quiet Dell” about serial murderer Harry Powers, a con man who preyed on widows, or Dan Simmons’s long chunkster novel “The Abominable” about climbers making a recovery mission on Everest, or perhaps “The Signature of All Things,” Elizabeth Gilbert’s hotly anticipated novel about a female botanist in the 1800s. There’s also Andre Dubus III’s new collection of short stories filled with depressing characters in “Dirty Love” — for those who liked the author’s tragic tale of “House of Sand and Fog.”

Lastly kudos to Eleanor Catton, this month’s author of “The Luminaries,” an 832-page murder mystery set in New Zealand during a 19th-century gold rush, which won the Man Booker Prize this past week. Reviews describing its convolutedness have me a bit intimidated to pick it up so far, but the author just so happens to be at our city’s annual book festival (WordFest) this weekend. Wow talk about great timing!

As for movies in October (see list at left), I pick both “Gravity” and “Captain Phillips” to see. I liked them equally, and found them both high-octane action flicks. I’m also curious about this month’s “12 Years a Slave” and would like to go back and read the memoir by Solomon Northup perhaps first before seeing the movie if I can.

Lastly in albums for October (see list at bottom right), I’ve been playing and liking The Avett Brothers’ “Magpie and the Dandelion” which is the folk group’s eighth studio album and the third of its albums produced by Rick Rubin. I’ve also been listening to “Let’s Be Still” the second album by the Seattle-based folk group The Head and the Heart, which sounds pretty good, too.

How about you, which book, movie, or album releases out this month are you excited about? Continue reading

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Serena

The novel “Serena” received such critical acclaim when it came out in 2008 that I had always wanted to read it. Authors such as Lee Smith called it a “flat-out masterpiece – mythic, terrifying and beautiful.” Anna Quindlen said that it’s “a new classic in the category of love gone terribly wrong.” And Pat Conroy wrote that “Serena” catapults Ron Rash “to the front ranks of the best American novelists.”

Those are some pretty strong statements, which caught my attention, including the fact that it’s being made into a movie starring Jennifer Lawrence and Bradley Cooper among others. (The movie’s U.S. release date remains to be determined apparently, but if you’re overseas in Russia it looks to be coming out in time for Halloween — or so says IMDB.com.)

So I finally pounced on the novel “Serena,” but it’s not really meant as a fast read. I had to absorb its Appalachian story and atmosphere slowly like fine wine. It’s set in 1929 at the dawn of the Great Depression, about newlyweds George and Serena Pemberton who are determined to make a timber empire in the North Carolina mountains and wilderness. Their greed and lust for power will lead them to stop at nothing to get their way, including killing or vanquishing all those who fall out of their favor, and standing in the way of governmental plans for a national park. Together they make a formidable duo, inseparable in word and deed, resolute in their intense marriage and plans for an empire.

But the pair starts to unravel when Serena learns she will never be able to bear a child and begins to suspect that George is trying to protect an illegitimate child he fathered before he met her. The ending is a reckoning that’s both hard to believe and not hard to believe — with such nefarious characters. Still, you can’t turn away.

Ron Rash’s writing is exquisitely vivid and visual in its depiction of the mountainous landscape, the timber camp, and the characters that inhabit it. Serena is an anti-hero you wouldn’t want to cross paths with. It’s amazing that Jennifer Lawrence will go from playing Katniss in “The Hunger Games” to the cruelness of Serena in this. But both become very powerful.

I can see why the novel garnered such acclaim. Rash’s writing reminded me a bit of Charles Frazier’s — (“Cold Mountain”) because of its Appalachian landscape — mixed perhaps with a dose of Cormac McCarthy’s because of its darkness and impending violence. I would read Rash again, perhaps I will pick up his more recent novel “The Cove.” He’s definitely an immense talent, an expert on all things Appalachia, who I’ll plan to keep tabs on in the future.

Whenever the movie “Serena” comes out, you’ll need to check the wooded landscape, because according to IMDB a portion of it was filmed in the Czech Republic; so much for Appalachia! Also look for its stars, Jennifer Lawrence and Bradley Cooper, to team up once again (for their third time), in “American Hustle” due out around Christmas. Continue reading

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Gravity

The space-action movie “Gravity” is a visual wonder that puts one into orbit from the very start, capturing two astronauts left adrift after debris crashes into them during a spacewalk. It’s a harrowing situation, and from the amazing special effects what unfolds feels immediate and very up close. George Clooney and Sandra Bullock play the astronauts who work together to try and survive untethered in a place 372 miles above Earth where there’s no air pressure, no oxygen and way beyond cold.

And wow, does Sandra’s character go through Hell and back. She’s got to fight for everything! At the start she’s a bit of weakling but towards the end she’s changed and is emboldened. I got sort of dizzy just watching her go end over end through space. She didn’t even puke into her helmet. And the scrapes and the bruises from being thrown into steel objects must have been a nightmare! But George helps. Thank goodness his character is a very seasoned astronaut. And Clooney is Clooney.

I liked “Gravity.” I could feel space at my fingertips, awe-inspiring and beautiful, albeit in the movie it’s often from a pretty hair-raising viewpoint. It’s certainly a well-done adrenaline-action-packed visual space experience but I’m not sure I took away from it much more than that. As for depth or character development that might leave a more lasting impact, well there just isn’t time!

For more commentary on “Gravity,” check out former astronaut Mark Kelly’s generally favorable review of the movie in The Washington Post. Continue reading

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Bon Voyage!

I will be visiting Italy for a couple weeks and will write when I get back. Ciao!! Continue reading

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The Girl With No Name

“The Girl With No Name” is a nonfiction book I saw on display at a local bookstore that I ended up buying and reading. The subtitle caught my eye: “The True Story of a Girl Who Lived With Monkeys” – Come on, I couldn’t walk away from that! I hadn’t heard about it before, but I was curious whether the book, which came out this past spring, was some kind of modern-day Tarzan story, albeit a true one.

It tells the account of a little girl, almost five, who’s abducted from her family’s home in Colombia in the 1950’s and abandoned in the jungle. She learns to survive by copying and living with a troop of monkeys, gradually becoming feral and losing her humanness over the five years she spends with them.

Eventually she’s discovered by two hunters who take her to the Colombian city of Cucuta and sell her to a brothel, where she’s beaten constantly and being groomed for prostitution. She manages to escape but winds up living on the streets for a few years till a crime family enslaves her to work in their house. Finally she gets away from them thanks to a neighbor she befriends who puts her on a path to start her life all over again at age 14.

It’s quite an incredible, harrowing childhood account and reads quite well thanks to the author’s daughter who apparently put her mother’s memories together over several years to make this book, along with the help from British ghostwriter Lynne Barrett-Lee.

I did have trouble believing the author survived alone in the jungle living with monkeys at the age of four. Seemingly there’s no way to verify it. But I read on and got caught up in her many escapes and misfortunate story nonetheless. By the end, the years she recounts in the jungle seem the least of her worries as a kid — as she went to hell and back many times over living among various humans. (No wonder she appreciates the monkeys so much!)

I’m not sure if it totally matters to me if the monkey part is totally true or not; even if the story is peripherally true it seems quite something. The book reads sincere and from what I’ve heard from interviews from the author (Marina Chapman) and her daughter (Vanessa) – the scary things that happened to her in childhood seem quite believable – it’s a glimpse of poverty and hell in South America. Marina Chapman appears real to me and one who’s overcome a lot. She and her daughter don’t seem in it for fame or money, they are donating the profits to charity. The daughter says she wrote the book to find out more about their long-lost relatives, her grandparents.

I credit Marina Chapman for her strength and perseverance to make a life for herself and her daughter for making this pretty unforgettable story of redemption known. Continue reading

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Me Before You

Wow this is a dynamite novel. So well done, so heartfelt, the characters so believable I thought they were real. It was sad to leave them behind at the end. So far I think “Me Before You” is my favorite read of 2013; does that make me a lightweight? I hope not. After all, British author Jojo Moyes is definitely more than a romance writer by now if ever she was categorized as only that.

This was my first Moyes read so I’m definitely behind the curve as I know she’s popular for quite a few other novels. I had heard such great things about her and this book that I had to snap it up. It was a pick for my book club, too, and I was glad it didn’t disappoint.

Most know by now, “Me Before You” is about a 35-year-old former male business executive in England who suffers an accident and becomes confined to a wheelchair as a quadriplegic. Twenty-seven year-old Louisa Clark becomes his caretaker though she has no experience working with disabled people. She’s not wealthy like he is, and they are at odds at the beginning, he is very embittered and she’s quite new to the situation. But after months they finally start to warm to each other and begin to broaden each other’s horizons. About then Louisa secretly finds out Will’s set a six-month deadline to go through with an assisted suicide. So she begins to plan adventures to take him on that hopefully will change his mind. Both meanwhile find themselves falling for the other. Will he go through with the suicide or won’t he? That is the question.

The issues behind the book seem quite topical and well researched by Moyes. You really feel a perspective of what disabled people go through and what they face on a daily basis. Despite the grim subject matter, the novel is quite uplifting and didn’t seem overly sentimental; the character of Louisa is upbeat and endearing, funny at times, and the families of Will and Louisa play interesting supporting roles. Moreover, the love story of these two from different worlds sweeps one away. I felt for both of them, and thought the ending worked okay though others might disagree.

If you read this one, let me know what you think. And if you didnt, check it out! Continue reading

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