
Happy Halloween to all. It seems a lot has happened lately. First off, congrats to Paul Beatty for becoming the first American to win the 2016 Man Booker Prize for his novel “The Sellout.” The publisher calls the book a “biting satire about a young man’s isolated upbringing and the race trial that sends him to the Supreme Court.” I’ve seen reviewers refer to it as “scathing,” “caustic,” and a “bruising” novel about American race relations, but it’s also said to be “funny and daring.” I think I’m curious to check it out though I’m glad to be forewarned about it too. Judy over at Keep the Wisdom thought it was the real deal when she reviewed it back in April, so I’ll put my name in for it at the library, though now it could be quite a wait.
Also last week there was the ghastly season opener for the TV show “The Walking Dead.” Good grief, the new villain Negan killed off two characters of the show with his barbed-wired bat, one of whom had been an original cast member. Oh I was not happy but mainly because it was so gruesome and sadistic. It almost seemed similar to the beheadings by ISIS and who wants to watch that. It was graphic and intense.

My husband regularly asks me why we watch the show, now in its seventh season, and even I don’t know why. Because it’s there? I haven’t read the comic strip that the show is loosely based on so I don’t know what comes next, but I still hope the group will be saved and be able to live a peaceful existence on some farm or whatnot — at least give me a break — but the show seems constantly into misery. Forget the zombies, it’s the other human beings they come across that are always the worst. They are never to be trusted. Remember the cannibals? Ugh. Do you watch the show, and if so, what did you think of the opener?

Meanwhile last week I finished three books, which is a bit crazy for me, but I started them awhile ago. First off, I read “The Perfect Girl” by Gilly Macmillan for my book club. It’s another psychological thriller-type novel — a very quick, light read that I think members of my book club were looking for after I picked the dense novel “The Sympathizer” last time. “The Perfect Girl” was a palate cleanser for sure. I liked that it was quick but otherwise I didn’t care for it that much. Apparently the book was originally titled “Butterfly in the Dark” but then retitled “The Perfect Girl.” I can only imagine that might have been because of “Gone Girl” and “The Girl on the Train.” They were likely trying to market another “Girl” blockbuster to the mix.
This one is about a 17-year-old musical prodigy (Zoe) who’s life was shattered three years ago after she was involved in a tragic accident that left three of her classmates dead. After some jail time, Zoe is given a second chance to start anew when her mom moves them away and remarries a well-off man with a musically gifted son. But she never tells them of Zoe’s past. Then on the night of Zoe’s first big recital back, her mom mysteriously winds up dead. The book alternates narrators piecing together what happened and concludes with a final twist.
It’s a novel that includes quite a few characters with a lot of problems: from drunk driving, to bullying, alcoholism, abandonment, abuse, MS, infidelity, and murder. I found it pretty simplistic and manipulative for suspense. With a storyline that happens over a 24-hour period there isn’t a lot of development, just actions and reactions. I kept wondering too why Zoe’s past solicitor narrates various chapters though he’s not involved in the present case. I also found it implausible that Zoe is described as having an IQ that’s higher than Einstein’s. Really? Come on, I didn’t think she really acted like it. Despite all that, it’s a decent, fast thriller if you’re stuck on an airplane or need a palate cleanser. It keeps the pages turning rapidly.

I also finished geobiologist Hope Jahren’s memoir “Lab Girl,” which has been quite a popular hit this year. It took me awhile to read it though. The author alternates chapters about the science of plants and trees with chapters about her personal life, career, and experiments in the field with her lab partner Bill. I especially liked these parts best, as she and Bill are quite quirky and funny. Who knew? The book includes many amusing anecdotes and stories of Hope and Bill’s adventures together and their rising careers as research scientists. How they squeaked by in the early years — he living in his van, and she working all nighters at the lab; how they got degrees at Berkeley, and built labs in Atlanta, Baltimore, and Hawaii. I sort of thought they would wind up together married, but around age 32 she meets her husband to be, who seems an understanding man for how much Bill is apart of her life.
I also liked how her passion for researching plants comes through, and how candidly she talks about her life in science and the difficulties she faced as a woman in the field, as well as with her pregnancy and bipolar disorder. I think she gives a unique window into the world of being a female research scientist and I was fascinated to hear about it, even though I muddled through some of the science / plant parts of the book. Some of the book felt a bit uneven to me — I liked some parts of it better than others — but all in all I did find “Lab Girl” to be quite interesting, and her words are making me look at trees a bit differently this fall. Who knew they had such lives.

Lastly I finished the audiobook of Stacey D’Erasmo’s 2014 novel “Wonderland.” It’s about a former indie rock star (Anna Brundage), who at age 44 after a seven year absence puts out an album and sets out on a European comeback tour with a new band and manager. Anna narrates the story, which alternates chapters between her stops along the tour and those of her past with her artist father, her tours from her heydays, and her affair with Simon, a father of two.
It’s a different kind of novel; there doesn’t seem to be a big story arc, but it’s more like a travel journal of Anna’s life. The chronology in the story jumps around a bit, which confused me a few of times, but I was still able to piece it together. While the novel feels a bit disjointed, I found the writing and passages to be quite poetic at times and likely the best feature of the book. After awhile I came to enjoy the narration of Anna, her inner life, and what happens to her on the tour. Her tone is quite measured and low-key, she’s definitely not a diva but is someone struggling to come to grips with the choices she’s made and is exploring the possibility of second chances. I’m interested in rock artists’ lives so this novel was in the ballpark for me. Kudos to Xe Sands who read it for the audio; she is always one of the best.
What about you — have you read any of these books, and if so, what did you think?








































