
Greetings. I hope your spring is going well. Brrr, it’s still cold and windy here. April is considered a shoulder season month, so we await May when the real spring and blooms come.
Meanwhile I see all the pretty azaleas are out at Augusta National for the Masters golf tournament. They remind me of the azaleas I had when I lived in Virginia — pretty in pink. And good luck to Canadian golfer Corey Conners in today’s final round. He had a hole-in-one yesterday at Augusta’s sixth hole. Wow, love that kind of luck.

Meanwhile we finished watching the Ken Burns/ Lynn Novick three-part documentary about “Hemingway” on PBS. Did you see it? It was quite good though the big game hunting they showed Hemingway doing in Africa as well as the bull fighting from Spain were ghastly. The final episode too was quite grim, as he struggled with mental illness. I guess I didn’t remember that Hemingway and wife #4 had miraculously survived two successive plane crashes in Africa in 1954, yikes. He sure endured a lot of head concussions during his life, which they note in the series.
And it appears wife #3, Martha Gellhorn, didn’t cave to him but continued to pursue her own career … which I remembered from Paula McLain’s novel about Gellhorn “Love and Ruin.” All in all, the documentary has some excellent photos and film footage of Hemingway’s life as well as some interesting perspectives about his writing from such authors as Edna O’Brien, Tobias Wolff, Mary Karr, and Abraham Verghese among others. I recommend it if you get a chance. Now we’re on to watching PBS’s drama series “Atlantic Crossing” about the Norwegian Crown Princess Martha and Roosevelt during WWII. So far, so good.
I have been reading and reviewing but mostly for Publishers Weekly, and recently I switched my category from memoirs to fiction there, yay. I’m told they don’t want me to link to the reviews I did as they are meant to be anonymously reviewed and they can’t be reviewed here either … so I guess I’m out of luck in mentioning the titles, bahhh. But below are reviews (not for them) of two audiobooks I listened to lately.
The Push by Ashley Audrain / Pamela Dorman Books / 320 pages / 2021

Synopsis: What starts as some kind of dream marriage between Blythe and Fox Connor soon begins to show its holes once they have a baby girl named Violet, and Blythe, who narrates the story, doesn’t take to her as much as she thought she would. Is she having postpartum depression or is something wrong with the child’s behavior? Or is it a bit of both? The husband thinks his wife is making a mountain out of a molehill about the child and doesn’t think anything is wrong, but he seems to feel Blythe is not being the capable mother that he thought she’d be. Uh-oh.
Then all becomes heightened when Blythe has a second baby Sam whom she loves to the max for a couple years (and who saves their marriage), but later something happens in a freak accident. Was someone at fault and if so who? Their worlds are soon turned upside down and their bonds come unglued. On the story goes … to her husband’s new family … as Blythe recedes into an insular, lonely person. Was she the one? You’ll have to check it out to see.
My Thoughts: This debut story was fricked up, ha … just the kind that’s creepy, disturbing, manipulative, and provocative. It’s labeled a psychological drama, thriller type and that’s about the level you should prepare for yourself going in.
As such, I liked how the author keeps you guessing about whether it’s the child, or the mother who’s got something wrong. Though I wasn’t really pulled in to the second interweaved storyline about Blythe’s mother and grandmother … and how they had it rough and weren’t good mothers themselves. So their mothering skills are sort of perceived to be like it’s handed down, which I guess adds more doubt about Blythe into the equation.
Actress Marin Ireland does a great job once again in reading for the audiobook. I’ve listened to three by her so far. She’s one of my favorites. The novel explores facets of motherhood that seem taboo to even think about …. about a mother inherently having negative feelings for her own child, or a child being born a bad seed. If you’re not turned off by things that provoke that border, then check it out, otherwise stay clear.
Summerwater by Sarah Moss / Farrar, Straus & Giroux / 208 pages / 2021

Synopsis: It takes place over a single summer day in the Scottish Highlands at a woodsy cabin park along a loch, where there’s various tourists and families staying. The chapters follow a handful of different characters (with their inner monologues) as they go about their day, complaining about the torrential rain and each other, especially the “Romanian” partyers and their loud music at night, which is keeping them awake.
There’s a jogging mom meditating on various things while she runs, and her retired husband who thinks about the park’s better days, and a woman’s thoughts during sex with her boyfriend, and a teenage girl sneaking out at night. My favorite chapter was the teenage boy who goes kayaking across the loch in a storm and things get dicey. The writing in that one is particularly transporting and has a lot of atmosphere.
My Thoughts: If you are looking for a lot of story or plot or action, then this novel will likely not be for you. (I was looking for a bit more story.) But if you like slice of life kind of situational /multi-character based vignettes then check it out. The author writes really well about the inner dialogues people have with themselves … and also is excellent at atmosphere and description. There were times I had to laugh at what these people were thinking and other times I had to cringe at their insensitivity. By the end I felt like I was there in Scotland among these vacationers as they struggled to cope with the rain and the tedium and each other. There’s also brief interludes between chapters of nature and the park that adds a touch of place and buffer.
The ending takes an interesting and a bit of a dramatic turn amid these strangers. While I didn’t get to know any of these characters well, I got a sense of their troubles, self-absorption, and what was on their mind. The novel’s exploration of isolation and community, kinship and cruelty was thought-provoking. This was my first time sampling a book by British author Sarah Moss, who’s written six other novels besides this one. At one point I almost DNF’d it because I was looking for more story instead of interlocking pieces. But I’m glad I didn’t — Moss is a perceptive, gifted writer and I’ll stay tuned for whatever she writes next.
That’s all for now. What about you — have you read either of these books or authors? And if so, what did you think? And how is your spring going?

















































