
Happy Holidays everyone. I hope your December has been festive and fun and that you’re able to close out the year with your loved ones. This might be my last post of 2019 since my husband and I will be leaving in a little over a week to spend the Christmas week with family in Southern California. We are looking forward to it and plan to brave a bit of Christmas shopping beforehand. Better late than never.
We’ve had some good snow here lately and the cross-country ski trails are in prime shape. We’ll be out there this weekend, leaving the shopping behind. I never thought I’d like the winter season so much, but after almost 10 years here, I’ve pretty much adapted to the cold temps and white flying fluffy stuff — as long as it’s above single digits Fahrenheit. Meanwhile I’ll leave you with a few reviews of what I finished lately.

Ahh yes, the sequel to Margaret Atwood’s 1985 dystopian classic “The Handmaid’s Tale,” drew me in and pleasantly surprised me (as it did my book assistant, pictured at left). I noticed that “The Testaments” was recently picked as Amazon’s #1 book of 2019 as well as earning the most votes as Goodreads Best Fiction choice of the year. Wow, I didn’t know this at the time I read it, but I’m glad I’m not alone in appreciating the sequel, which also co-won this year’s Booker Prize.
Perhaps it’s sort of a hard tale to actually “like” because of the harsh place it depicts, but you can see what Atwood was portending with her dystopian futuristic story about the Republic of Gilead, where the environment has gone to seed and a totalitarian regime rules in portions of North America that enforces strict social roles and enslaves fertile women.
I had read the original novel in 2017 so I was acquainted with the horrors of living in Gilead. “The Testaments” takes place 15 years after this, and is told in short chapters among three alternating narrators. There’s Aunt Lydia: Gilead’s top female enforcer, who we come to learn was taken in gruesomely at the Republic’s beginning and consolidated her power over many years; then there’s Agnes, who’s born into a well-to do Commander’s family and is trying to figure out her parentage and role within Gilead; and lastly there’s Daisy, a girl living outside of Gilead in free Canada, whose parents aren’t exactly who she once thought they were. Uh-oh.

The three characters’ stories unfold in interesting ways and I was impressed by how each gripped me from the get-go. None of them are really who you think they are at first and they each come to grapple with their own identities and roles in order to get what they want. They all have to bide their time, carry on with the harsh status quo, and hide their true selves … though eventually their motivations and worlds come to collide in a page-turning flurry.
“The Testaments” is quite different than “The Handmaid’s Tale” in tone and style. For one, it seems quicker and faster paced with short chapters — and does not delve into all the harshness of the first one; it’s more escapist. And while the first one was basically Offred the Handmaid’s story, this one revolves around the lives of the three females and seems more hopeful. The sequel doesn’t continue Offred’s story, but it answers questions about her and Gilead. Some purists will probably continue to like just “The Handmaid’s Tale” and not the sequel …. but I ended up appreciating the follow-up as well because it seemed cleverly handled and resolved some things in my mind. I have to hand it to Atwood, who finished writing it at age 79, nearly 35 years after penning her thought-provoking original.

I also loved Kevin Wilson’s novel “Nothing to See Here,” which was funny, quirky, and heartwarming too. As unlikely as it seems at first, Lillian (age 28) comes to work as a governess taking care of her rich former boarding school roommate’s stepkids — Bessie and Roland — who happen to catch on fire whenever they become anxious or upset. That’s right: they’re combustible kids. Say whaaa? It feels pretty normal when you experience the story, which says a lot about how good this novel is.
It engaged me pretty much from the start, and I listened to it as an audiobook read by actress Marin Ireland who made the whole story come alive. It might even be my favorite audio of 2019! It’s a wonderful story about these unusual kids and Lillian, who had a rough childhood herself and becomes their protector and caregiver — as her former roommate Madison marries the kids’ father — a rich US Senator — who keeps the kids at a distance in his guest house on their mega estate. Luckily Lillian really takes to the kids and it’s a transformative journey and ending. You can’t fully explain this one — it’s funnily told and heartwarming without being saccharine. (It’s not exactly Maria in the Sound of Music.) You just need to get it and tap into the fire of these kids. Kudos to author Kevin Wilson.

Lastly I finished the audiobook of Ann Patchett’s recent novel “The Dutch House,” which I liked well enough but did not love. I know I’m in the minority since many seemed gaga over this one. I was keen on the beginning with the big estate that their real estate investor father purchases outside of Philly and Danny and his sisters’ youths and caregivers there. But once their fortunes change, the story seems to spin its wheels a bit about Danny and Maeve’s long lost mother and their stepmom who keeps the mansion for herself and throws them out. It’s a book with a lot of reminiscing in it and is a lot about Danny and Maeve, a brother and sister who rely closely on one another as they grow up, age, and commiserate about their parental circumstances.
It’s a sad, regretful and nostalgic story, but I didn’t find a lot more necessarily happened in it. I listened to the novel as an audiobook read by Tom Hanks and I thought he was wonderful narrating as Danny. Towards the middle though I found it a bit slow and had to push myself a little to finish it. There’s some development at the end that changes the dynamic about the mother and stepmother in the siblings’ lives … so that made me wake up a bit but didn’t fully redeem much about them for me. It seems a novel about family mistakes, forgiveness, and the bonds of a sister and brother. I commiserated with them and wish their lives in the Dutch House, a mansion worthy of their strong childhood bonds, had never changed.
That’s all for now. What about you — have you read these, and if so, what did you think? Wishing you all very happy holidays!



















































