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Incendiary

I must admit I have a bit of a crush on Chris Cleave; his novels seem so immediate and at times powerful. One can sense the humanity in them. I read “Little Bee” (2009) last summer and then his first novel “Incendiary” (2005) just recently. Both are dark, sad and disturbing tales, yet the characters and situations are quite a rush.
“Incendiary,” which is about a terrorist attack in London, came out right before London was hit by terrorist attacks in July 2005. Subsequently, the novel was pulled from some shelves and buried temporarily. Apparently Cleave had written it in response to the train bombings in Madrid in 2004 and the incidents at Abu Ghraib prison in Iraq. It was written six years before Osama bin Laden was found and killed, so reading it now is a bit like looking back.
“Incendiary” isn’t an easy novel to swallow (Michiko Kakutani of The New York Times thought it in poor taste); it’s narrated by a working-class mother writing to Osama bin Laden, as if conversationally: Osama this and Osama that, which might drive you a bit nuts. At times, it’s laced with biting humor: “I don’t know if you’ve ever walked with a crutch through the gangs of kids down Bethnal Green Road on your way from the tube … Osama. I should hope so. I mean we’re the kind of people you’re bombing so I would of hoped you’d chosen us personally.”
The mother is shattered after her husband and son are killed in a terrorist bombing, which she witnesses, to make things worse, on TV while messing around with another man. She becomes suicidal and barely functional, eventually finding solace in a police superintendent, that is, until he tells her something about the bombing, which is truly haunting and leads to her undoing.
Not to give it all way — I found myself caught up with the mother/protagonist and the dire circumstances after such a terrorist attack. “Incendiary” rings true about living in the aftermath with bomb scares and fear, curfews and grief, panic and pandemonium. The psychological effects of terrorism are raw and chilling in this very potent debut novel. Continue reading
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The Help

I had to find out what the fuss was about with this very popular novel and pleasantly wasn’t disappointed. “The Help” makes a great summer read, fast and easy to delve into. I wanted to read it too before the eagerly awaited movie of it releases on Aug. 10, which lists a pretty wide, star-studded cast.
Set in Jackson, Miss. in 1962, during the early days of the civil rights movement, “The Help” tells the story of an inspiring white journalist and author, Eugenia Skeeter Phelan, who secretly interviews a number of black women on what it’s like to work as maids in white households, where they’re deemed good enough to raise white children but not allowed to use the same facilities as whites.
The chapters switch narrators and are told through the eyes of Skeeter and two of the maids, Aibileen and Minny. All three narrators are equally interesting and bring the segregated times and white households vividly to life. Hilly Holbrook, president of the Junior League, is the main menace in town who makes life hell for the maids and those who don’t share her white, elitest views.
I found “The Help” quite hard to put down. Chalk it up to good pacing and to the suspense of what will happen to the black women and Skeeter whose lives are literally on the line. I found the author, Kathryn Stockett, especially brave to put herself in the shoes of the maids and her use of dialect. The novel took a lot of guts to write, but obviously paid off. I found it sugary in a few spots but still able to successfully navigate its way through a minefield on race relations to deliver a pretty heartfelt, vivid tale of the times and the injustices done to black women and of those who boldly resisted despite such grave consequences. Some of the trailers of the movie look more cute than the book comes off being, but I still plan to see it. Continue reading
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The Tiger’s Wife

Congrats to Tea Obreht for winning Britain’s Orange Prize for fiction today. I just finished her debut novel “The Tiger’s Wife” and thought it might win the award, which nets her about $46,200 and a bronze statue.
I didn’t know much about “Tiger’s Wife” before I started it besides hearing of its praises. But don’t confuse it with Amy Chua’s “Tiger Mother” book, that’s a whole different cup of tea! There are quite a few tigers in books these days. Remember Booker Prize-winning “White Tiger” or Life of Pi”? The latter will come to the big screen next year.
“The Tiger’s Wife” is a bit hard to fully describe. It’s set in an unnamed Balkan country that’s been through years of war. The main character, Natalia, is a doctor on a mission to inoculate orphans in a far-off town, where diggers are looking for a body in the fields. But on the way, she learns that her beloved grandfather has died on travels away from home. She begins to investigate why he has journeyed to the place where he was found. Along the way she unravels tales about her grandfather of the “deathless man” and the “tiger’s wife,” which help her understand him better and what he was up to at the time of his death.
The stories of the deathless man and the tiger’s wife make up threads that run throughout the book alongside the one of Natalia in the present. I found myself caught up in these mythic-like tales of a man doomed to immortality and a deaf-mute woman who befriends a tiger.
It’s not a totally easy beach read; you have to concentrate especially toward the end when the threads come to a close. It bogs down a bit in places, but also creates a vivid image of the Balkans and the coming to grips of the dead.
Obreht is a skillful storyteller; while reading along, I couldn’t believe the author is only 25; it was a bit astonishing in fact. No wonder Obreht, a Serbian-American, is being hailed as the next big literary deal. If you’re wondering: she started college at 16 and graduate school at 20 and wrote the book in a few years at eight hours a day (from 8 p.m. to 4 a.m.). Good luck doing that. Continue reading
The Girl Who Played With Fire

The past two summers I’ve read one book from Stieg Larsson’s best-selling trilogy. And I must say, they do make good page-turning summer reads. This second one is focused much more on Lisbeth Salander, the computer hacker tough girl who helped journalist Mikael Bloomkvist crack the crimes in the first book. From that, she’s gotten rich off the Wennerstrom money and goes traveling around the world without telling anyone she knows. She even gets a boob job in Italy (in the book). But finds herself in trouble almost as soon as she returns to Stockholm — when her fingerprints are found on the gun at a multiple murder scene, leading her to go into hiding to figure out who’s behind it.
“The Girl Who Played With Fire” unlocks secrets behind Salander’s abusive childhood and how she came to be institutionalized for awhile. The murders, with a connection to Blomqvist’s Millennium magazine, deal with a loathsome gang of drug- and sex-traffickers. Like “Dragon Tattoo,” this book dwells on men’s violence toward women, which leads many readers to question is the sexual violence of these books just titillation and misogyny on the part of the author? Or is Salander a kind of feminist avenger? To which I’d say I’m more in the latter camp. Salander seems almost like an antihero superhero in the book, who has problems but confronts the bad guys and deals out justice in gutsy ways.
The Swedish movies follow the books pretty closely and do a good job. But they seem a bit more plodding than the fast-page-turning books. I liked both books almost equally well but perhaps found this one more suspenseful. The ending leaves Salander in a heap of a mess. All the more reason I’ll tune in next summer for the last book “Hornet’s Nest.” Continue reading
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The Girl With the Dragon Tattoo

Just picked up the mass paperback and boy is this a quick read — nearly all-842 pages of it. Now I know what all the fuss was about. Apparently Stieg Larsson was the second bestselling author in the world in 2008 (even though he died in 2004) — thanks to his Swedish “Millennium” trilogy, of which “The Girl With the Dragon Tattoo” is the first. The trilogy has sold more than 12.5 million copies, and soon enough I’m sure to pick up book number two. I can’t recall being so consumed by a murder mystery, thriller since perhaps Scott Turow’s “Presumed Innocent” in 1987.
“Girl With the Dragon Tattoo” starts out as protagonist Mikael Blomkvist, a middle-age financial journalist and co-owner of Millennium magazine in Stockholm, hits rock bottom when he’s found guilty in court of libel against shady businessman Hans-Erik Wennerstrom, despite the fact that he knows his story is right but can’t prove it. Exhausted by the case, Blomkvist decides to take time off from the magazine, and accepts an offer from industrialist Henrik Vanger to investigate the disappearance of Vanger’s great-niece 40 years ago from the secluded island that the powerful family owns, three hours by train to the north.
On remote Hedeby Island, Blomkvist finds himself in the depths of winter, trying to make sense of a case long grown cold, and a family that is more than a touch unsettling. The backdrop of the place and the frigid landscape are described vividly enough to make frostbite and darkness feel very real. It might conjure up memories of the 1992 Danish murder mystery “Smilla’s Sense of Snow,” which comes to a head on a glaciated island off of Greenland. Brrr.
Simultaneously, “Dragon Tattoo” also delves into the world of Lizbeth Salander, a 24-year-old pierced, tattooed whip-smart computer hacker whom Blomkvist comes to enlist in time to help crack the case. Salander, who at the beginning is on the verge of being institutionalized for behavioral problems, is a hell of a character, prepared to kick ass and take names later. In a grisly scene, she’s been abused by an appointed guardian and takes it into her own hands to wage a heavy payback.
Blomkvist and Salander make a great investigative combo. Getting to know them in the beginning and middle parts of the book are the best, as new evidence surrounding the creepy Vanger family and disappearance slowly start to emerge. The fact that Blomkvist and Salander start sleeping together while on the case, even though she is half his age, adds an element of complexity (though I don’t think I like it for the characters) with Blomkvist still linked to his partner, Erika Berger, at the magazine. The last part of the book seems to get a bit too tidy with almost all of the pieces falling neatly into place, case cracked, and some of the earlier intrigue losing hold. The ending goes on a tad long and isn’t as good as the rest. But still “Girl With the Dragon Tattoo” proves to be the quickest page-turner of the year.
Ps. A Swedish film of “The Girl With the Dragon Tattoo” came out in 2009 but apparently didn’t get wide release in the States. Catch it if you can. Continue reading
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Shutter Island

This 2003 suspense novel has one of those twisted endings that make you want to throw it against a wall after you’re done. It seemed to be going along just fine, slowly building in momentum, taking you on a steady course of suspense to its conclusion and then thunk: an ending so opposite of where you want it to go it sets you off to curse that you ever got it.
I had picked up “Shutter Island” because I heard it was coming out as a movie in October 2009 with Leo DiCaprio and directed by Martin Scorsese, and because Dennis Lehane wrote it and his other novels “Gone, Baby, Gone” (1998) and “Mystic River” (2001) became somewhat intriguing movies.
Set in 1954, the story begins as U.S. Marshals Teddy Daniels and Chuck Aule are called to investigate the disappearance of a patient at a hospital for the criminally insane on Shutter Island, off the Massachusetts coast. Daniels, whose beloved wife died in a fire two years prior, has ulterior reasons for taking the case, notably finding the insane criminal housed there who caused her death.
Soon though the deputy marshals find that the medical staff at Shutter Island, especially the director, is stonewalling their investigation, and they discern that radical, illegal treatments are being administered to the patients as part of a secret program. (For other novels on nefarious experimentation taking place on islands, you might also recall: “The Island of Dr. Moreau” (1896), “Dr. No” (1958) and “Plum Island” (1997) to name just a few.)
“Shutter Island” picks up steam as a hurricane hits, cutting off communication to the mainland and enabling more insane patients to escape from their cells. Aule disappears, and Daniels believes he’s being slipped psychotic drugs. He makes a dash to leave the island but is intercepted. As clues unravel, he begins to doubt everything, including his memory, his partner and his sanity.
Lehane gives the book a surreal and really creepy kind of ending, but it’s sort of just lame and leaves you wanting something else. Perhaps they will do better with the movie, which has an all-star cast (even Ben Kingsley and Patricia Clarkson!), and of course, also Scorsese who’s directed “Cape Fear”-freaky-kind of suspense movies before. Continue reading
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Restless

I needed a quick read for a flight and came across William Boyd’s spy novel “Restless,” which did the trick and more. It’s an absorbing thriller about an aging mother, Sally Gilmartin, who thinks her life is in danger and reveals in a series of written accounts to her daughter, Ruth, of her clandestine past — born Eva Delectorskaya, a half-Russian, half-English émigré recruited into the British Secret Service in 1939. Ruth, a single mom and graduate student, thinks at first her mother is going crazy, but is drawn into her account as details of “Eva’s” life emerge.
The story unfolds with chapters alternating between her mother’s life as a spy in 1940-1941 and Ruth’s life in Oxford in 1976, procrastinating her thesis and earning a living teaching English as a second language. Undoubtedly, the chapters of Eva and her work under boss Lucas Romer are more suspenseful, but Ruth’s life also contains a couple of mysterious characters (dubious house guests Ludger and Ilse from Germany and an Iranian suitor Hamid) that keep things up in the air.
Boyd has cleverly based the novel on the history of a covert propaganda group called the British Security Coordination, whose aim was to change the minds of isolationist Americans and lure the U.S. into World War II. In the book, Eva’s work, as part of the secret unit under Romer, includes “feeding clever false information out into the world” through the medium of a small press agency and couriering a forged map of Hitler’s South American ambitions to bait the U.S. into action.
But after a couple missions go badly, Eva realizes someone in her unit has betrayed her and she flees, using her spy training to live life on the run. The BSC unit is rolled up after Pearl Harbor, and Eva (now Sally Gilmartin) marries, keeping her former life hidden.
Thirty-five years later, Sally, still on the lookout for someone who might bring her down, decides to try to put an end to her life undercover by writing her account of the BSC and getting her daughter to track down her former boss.
The 2006 novel, one of the first on the BSC, makes for a snappy, interesting read, conjuring a time in the run-up to WWII when Britain had a secret agency of news manipulation and black propaganda operating right out of N.Y.’s Rockefeller Center.
For more on this hardly heard of agency and the role of British agents in the U.S. before Pearl Harbor, read Boyd’s fascinating article in the Guardian. Continue reading
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People of the Book

The follow-up to the Pulitzer Prize winner’s book “March” in 2006, “People of the Book” is another of Geraldine Brooks’s intricately woven historical novels. In it, Brooks spins a fictional tale based on the spare details known about the real-life medieval artifact, the Sarajevo Haggadah, one of the oldest Jewish illuminated texts, whose survival through centuries of wars and purges seems nothing short of “a series of miracles.”
It’s narrated in part by Hanna, a rare book conservator hired in 1996 by the United Nations to inspect and restore the ancient Haggadah so it can be put on exhibit. Under examination, Hanna finds various clues in the book to its history, whereabouts and guardians, including an insect’s wing, wine stains, a white hair and salt crystals.
As Hanna pursues unraveling these mysteries, alternate chapters of the novel flash back to various points in the Haggadah’s history and those who possessed it during such turbulent times as: Sarajevo 1940, Vienna 1894, Venice 1609, Tarragona 1492 and Seville 1480. “Inquisition, Nazis, extremist Serb nationalists … the book at this point bears witness to all that,” says one of Hanna’s colleagues.
Indeed, yet the Sarajevo Haggadah also bears witness to those of various faiths who risked their lives to save it from destruction: including a Muslim, Dervis Korbut (his real name), who saved it from the Nazis in 1941; a Catholic priest, Vistorini, who spared its burning during the Inquisition around 1609; and another Muslim, Enver Imamovic (his real name), who hid it in a bank vault during the Bosnian War of the 1990s.
The flashback chapters are consistently rich in detail of the eras and lives of those who heralded the Haggadah. For the most part, the novel is a suspenseful, at times harrowing read, retracing the persecution of the Jews and the Haggadah’s many close calls, as well as Hanna’s contemporary challenges as its conservator. It seems a faster moving novel than Brooks’s “March,” with a bit more to it as well. Only at times does Brooks’s elaborate story lose readers among its many characters and eras, with some abrupt transitions requiring readers to stay quite focused. It’s not exactly your airhead beach read. It packs a lot in in the span of a few hundred pages.
Only in a couple instances did I think that Brooks was stretching it a bit to become a Jewish type of “Da Vinci Code” thriller. Mostly, “People of the Book” doesn’t get that crazy. Despite occasional quirks, Brooks weaves a memorable Sarajevo Haggadah story that stays true to its source.
ps. Apparently Catherine Zeta Jones has acquired the film rights to “People of the Book.” But how you make a film out of it, is anyone’s guess. Continue reading
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Revolutionary Road

Good thing the movie came out or I might never have read this dark and brilliant, 1961 novel by Richard Yates, about a couple whose lives derail amid the 1950’s suburbs. The book takes a wry, satirical look at the conformity of the times and the American dream, and reminded me a bit of the same disillusioned 1950s of J.D. Salinger’s books or perhaps Sylvia Plath’s.
It involves Frank and April Wheeler trying to stay above “the larger absurdities of deadly dull jobs in the city and deadly dull homes in the suburbs.” And yet they’re caught amid the “hopeless, emptiness” of it, wherein Frank works at a job he hates at “Knox Business Machines” and April takes care of the kids and their house at the end of Revolutionary Road.
But then, April hatches a plan to move the family in the fall to Paris, where she can work and Frank can find out what he really wants to do. And for a while the plan (deemed by colleagues and neighbors as selfish and unrealistic) causes a time of “such joyous derangement, such exultant carelessness that Frank Wheeler could never afterwards remember how long it lasted.” In the end though, events conspire, the Wheelers change their minds, and the plan and everything comes crashing down.
It’s a bleak ending of a couple on the brink. With an honest mirror on American middle-class suburbia, the book stands the test of time, and its characters and descriptions seem amusingly on target. There are the annoying neighbors, Shep and Milly Campbell; Frank’s mistress from work, Maureen Gruber; the busybody real estate agent Mrs. Givings; and her son John, who’s in a mental institution despite seeming to be the only one to speak the truth. But the best characters are Frank and April Wheeler, whose portraits are both troubling and at times darkly humorous.
“Listen a minute. I won’t touch you. I just want to say I’m sorry.”
“That’s wonderful. Now will you please leave me alone?” Continue reading
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Tea With Nien Cheng

“The past is forever with me and I remember it all now,” starts Nien Cheng’s gripping account of her life during China’s Cultural Revolution. Though published in 1987, “Life and Death in Shanghai” is still as potent a read as ever. In it, Cheng recounts how the Red Guards ransacked her house in Shanghai in 1966 and put her in prison for 6½ years in solitary confinement for being a “class enemy and running dog of the imperialists.” Widowed at the time and living with her daughter, Cheng worked at Shell Oil till the Maoists closed its Shanghai office. In the book, Cheng describes the harsh interrogations and tactics used in prison in attempts to make her confess (falsely) to being a “spy.” But despite torture and deteriorating health, she never does. She remains vigilant in refuting the Maoist revolutionaries’ accusations and survives till her release, only to find out after, tragically, that revolutionaries had killed her daughter. She forges a plan to leave China, which she does in 1980 at the age of 65 with just one suitcase and $20, eventually settling in Washington, D.C., where she has lived since 1983.
Her book is a compelling survivor’s memoir that includes a fair share of informative historical and political context on the Cultural Revolution. I found it an extraordinary story of a courageous woman, who I had the great fortune to meet for tea early in April 2009. She greeted me at the lobby of her condo building and appeared quite younger than her 94 years. She was very gracious, warmhearted and open.
We made the trek to her floor and she seemed fine, though slowed she said by the arthritis where the Communists had beaten her. There for four hours, she spoke of her life, the Communist government, the book and subjects that came to her, and I mainly listened not wanting to move or interrupt. She was quite amazing, her mind and memory were sharp and I realized, as her book’s first line states, that indeed she “remembers it all.”
She made references to life during the Sino-Japanese War (1937-1941); listening to Winston Churchill on the radio when she attended London’s School of Economics as the first Chinese woman; living in Australia as a Chinese diplomat’s wife during the attack on Pearl Harbor; surviving life under Mao; and attending a White House State Dinner at the Reagans’ request after her book was published in 1987.
Indeed, hers is a remarkable 20th-century life. And yet she talked about it very modestly, and chalked up the book’s success solely to timing. When it was published she said there wasn’t much on the Cultural Revolution; it was still not widely written about. Her book she said took about two years to write upon her arrival in D.C. in 1983, which she did on a manual typewriter, and a third of which she left on the cutting-room floor. I asked her why she hadn’t written another book after her first had become a bestseller, and she said back then she still feared Chinese reprisal. But she laughed when she said her book had sold well for a while in China before the Communists found out and banned it. She had been back to Hong Kong but said she wouldn’t go back to mainland China.
“I can forgive them for imprisoning me,” she said, “but I can’t forgive them for murdering my daughter. … I never found out who killed her, the Communists just wanted to cover it up.” The loss of her daughter is with her everyday, and she feels guilty, she says, for having been the one to have lived. And yet, what she’s left readers is an invaluable life and look at Maoist China. Continue reading
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